1 and Meet You at the Jazz Corner of the World, Vol. Art Blakey & The Jazz Messengers Meet You at the Jazz Corner of the World, Vol.
ART BLAKEYS TORRENT PLUS
It does not store any personal data.Art Blakey & The Jazz Messengers – Moanin’ (1958/2013)FLAC (tracks) 24 bit/192 kHz Time – 40:06 minutes 1,73 GB Genre: JazzStudio Masters, Official Digital Download – Source: HDTracks Digital Booklet Blue Note RecordsThe album is accompanied by its original sleeve notes plus additional photos and newly-written package essays.“In preparing these hi def remasters, we were very. The cookie is set by the GDPR Cookie Consent plugin and is used to store whether or not user has consented to the use of cookies. The cookie is used to store the user consent for the cookies in the category "Performance".
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In a 1973 interview, as Blakey reflected on his career, he noted, “…the funny thing is how our music goes in a circle. Alongside other tracks on the album, it continued to influence jazz years after its release. This became Blakey’s most popular album, aiding in his efforts to promote jazz at a time when doo-wop and rock and roll had become the most popular genres. Other notable songs from the album include Benny Golson’s, “Are You Real?” “Along Came Betty,” “Blues March,” and “The Drum Thunder Suite,” specifically written to show off Blakey’s skill as a drummer. The song was so popular that the original album, released as a self-titled disc, was subsequently renamed after the song. To this day “Moanin’” remains one of the most easily recognizable and often-played jazz standards. One day Golson told Timmons that he should compose a bridge and make a proper song out of it, which he did. The often-told story about that song is that Timmons had conceived the melody in his head and often played it informally in between songs and during rehearsals. It featured Art Blakey on drums, Lee Morgan on trumpet, Benny Golson on tenor sax, Jymie Merritt on bass, and Bobby Timmons on piano, who wrote the first song on the album, “Moanin’.” Many notable musicians like Clifford Brown, Donald Byrd, Freddie Hubbard, Lee Morgan, Wayne Shorter, Benny Golson, and Bobby Timmons found their start with the Jazz Messengers.Īt the time of this recording, the Jazz Messengers lineup was arguably one of the best Blakey ever assembled. It features a diverse selection of music styles including blues, funk jazz, New Orleans-style marching band, and most notably, hard bop, a genre named after Blakey’s 1957 album.Ĭharacterized by improvisation, complex harmonies, a swinging rhythm, and an aggressive percussion section, bebop had usurped big band as the primary form of jazz in the late 1940s, making the genre something to listen to rather than for just dancing.įounded in 1954 by drummer Art Blakey and pianist Horace Silver, The Jazz Messengers became known as “Jazz University,” due to its role in finding talented young artists and shaping their skills and styles. The album was recorded on October 30, 1958, at the Rudy Van Gelder Studio in Englewood Cliffs, New Jersey. WUSF’s Carson Rodriguez Bugarin has more: The album was originally self-titled, but The Bobby Timmons song was so popular, that subsequent releases were renamed “Moanin ”įriday on All Night Jazz, we will be celebrating the 62 nd anniversary of the recording of the album “Moanin'” by Art Blakey and the Jazz Messengers.
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